plenty ok boy
3666 stories
·
13 followers

Child Labor in America

1 Comment

The Times Magazine had a good profile a couple of weeks ago on a kid maimed in a meatpacking plant. Read it if you haven’t.

After he finished hosing down the machines, he started scrubbing blood and fat off the steel parts with chemicals that, if they hit skin, created welts that could take months to heal. Shortly after 2:30 a.m., he thought he saw a bit of torn rubber glove within the conveyor belt of the deboning area and reached in to grab it. Suddenly, the machine came to life. Across the factory, another worker had failed to see Marcos crouched with his left arm deep inside the assembly line and turned it on.

The belt caught the sleeve of Marcos’s baggy jacket and pulled him across the floor. Hard plastic teeth ripped through his muscles, tearing open his forearm down to the bone. By the time someone heard his screams and shut off the power, his arm was limp, a deep triangular gash running down the length of it. A rope of white tendons hung from his elbow to his wrist, horrifying the workers who gathered around him. He understood from their faces that something was badly wrong but didn’t feel any pain as the wound began gushing blood and he started to lose consciousness.

A supervisor called 911 to report the injury. “We don’t know what to do,” she said, her voice rising. “It’s bleeding out.” The dispatcher ran through a list of questions about his condition. “And how old is that person?” the dispatcher asked.

The supervisor did not respond.

“Even if you had to guess?” he asked.

Still no response.

“Like, 20s? 30s?” he asked.

“Um,” the supervisor said, her voice shaking.

Another moment passed, and the line went dead.

When the paramedics arrived, a dispatcher reported “massive amounts of bleeding,” and Marcos was flown to a trauma unit in Baltimore for emergency surgery. He lay in the hospital for two weeks as medical staff wondered why the paperwork for this boy with long eyelashes and a round baby face said he was an adult man named Francisco.

This is the present Republicans want. But it is also worth noting that these problems have existed for years and it’s not like Democrats have paid any attention to it either.

The post Child Labor in America appeared first on Lawyers, Guns & Money.

Read the whole story
rocketo
1 day ago
reply
jfc
seattle, wa
Share this story
Delete

Taylor Lorenz on Julia Allison’s vilification as an early influencer

1 Share
an excerpt from Extremely Online, Lorenz's upcoming book on the history of social media and internet fame #
Read the whole story
rocketo
2 days ago
reply
seattle, wa
Share this story
Delete

Saturday Morning Breakfast Cereal - Productivity

2 Shares


Click here to go see the bonus panel!

Hovertext:
Go easy on the lemon.


Today's News:
Read the whole story
rocketo
6 days ago
reply
seattle, wa
Share this story
Delete

Professors in Trouble

1 Share
Jeffrey Wright in Cord Jefferson’s American Fiction (2023)

Film Comment’s Devika Girish is in Toronto, where she’s just launched a series of podcasts. So far, she’s spoken with Mark Asch and Maddie Whittle about Phạm Thiên Ân’s Inside the Yellow Cocoon Shell and Eduardo Williams’s The Human Surge 3 and with Chloe Lizotte and Adam Nayman about Radu Jude’s Do Not Expect Too Much from the End of the World and Hayao Miyazaki’s The Boy and the Heron. Here, we’re turning to a pair of films about frustrated professors making their world premieres at the festival. Most of the early reviews are pretty solid, even if some critics have expressed a few reservations.

American Fiction

Jeffrey Wright’s performance in American Fiction is “like a room tone machine set to ‘ambient contempt,’” writes Adam Nayman in Cinema Scope. Wright plays Thelonious Ellison—his friends call him Monk—a novelist whose publishers don’t think his writing is “Black enough” and a professor of English literature who infuriates his students by teaching a Flannery O’Connor short story with the N-word in its title.

The university sends him home to Boston, where his sister (Tracee Ellis Ross) is caring for their ailing mother (Leslie Uggams), and where he drops in on a reading by Sintara Golden (Issa Rae), whose latest novel, We’s Lives in Da Ghetto, is a roaring success. Infuriated, Monk hammers out a parody, My Pafology, and convinces his agent (John Ortiz) to send it to publishers and tell them it comes from Stagg R. Leigh, a criminal on the lam and therefore unavailable for interviews. Naturally, Monk suddenly has a bestseller on his hands—and a film deal to boot.

American Fiction, the directorial debut from Cord Jefferson, a journalist who has worked as a writer and consultant on Succession, Watchmen, and Station Eleven, is an adaptation of Erasure, the 2001 novel Percival Everett wrote in part as a response to Sapphire’s 1996 novel Push. Precious, Lee Daniels’s 2009 adaptation of Push, was a hit with critics and audiences alike at Sundance and Toronto. When Monk sets out to turn My Pafology into a movie, “Jefferson personalizes the film, edging in a number of good jokes about the screenwriting process and how Hollywood cannibalizes identity for profit,” writes Lovia Gyarkye in the Hollywood Reporter. “It’s also through this thread that American Fiction suggests that the existential crisis of the Black artist is kind of an impossible problem to overcome. Whether or not you agree with that conclusion is a different story.”

For Vulture’s Alison Willmore, the “secret of American Fiction is that it’s stealthily the thing Monk longs for—a portrait of Black characters who are not representatives of inner-city oppression, who have upper-middle-class lives and who grew up with a beach house on Martha’s Vineyard, and who have their own richly delineated set of problems. The literary-world jabs are sharp and funny, but it’s the rueful family dynamics that make the film rewarding.” In the Guardian, Radheyan Simonpillai suggests that American Fiction “feels like Jordan Peele sneaked a bottle of pepper sauce into Alexander Payne’s Thanksgiving dinner.”

Dream Scenario

In Dream Scenario, the third feature from Norwegian director Kristoffer Borgli (Sick of Myself), Nicolas Cage stars as Paul Matthews, a nebbish tenured professor of evolutionary biology, and “he may have never been as flat-out hilarious,” writes Michael Rechtshaffen in the Hollywood Reporter. Paul’s students, wife (Julianne Nicholson), and two daughters like him well enough when they aren’t ignoring him altogether.

For no reason anyone can begin to explain, Paul has been appearing in people’s dreams. It takes a while for everyone to figure out it’s the same guy—and to come to the even stranger collective realization that, no matter how surreal, scary, or sexy these dreams may be, Paul just stands there in them, doing nothing. Two ad agency reps (Michael Cera and Kate Berlant) and their assistant (Dylan Gelula) intend to make hay out of the phenomenon, and the sudden tsunami of attention somehow warps Paul’s behavior in everyone’s dreams. He becomes more aggressive, and eventually, an object of universal contempt and fear.

Vulture’s Nate Jones notes that Borgli “has been open about the fact that the film was inspired by a series of proto-cancel-culture scandals in academia. ‘I was intrigued by these professors who couldn’t recognize what they were accused of,’ he said after the premiere. ‘Crimes that were all fabricated in the minds of others.’”

“Provocation is nothing new for Borgli,” writes Rolling Stone’s David Fear, but the “lack of a viewpoint here” is “both a boon and bust: If this was an attempt to directly attack the ‘woke mob’ mentality toward genuinely bad men, the satire wouldn’t work. Yet the idea of using such elements to tell the story of how fame becomes unwieldy and possibly prosecutorial courts toothlessness or distraction in a way that doesn’t service the film. It wants to have its hot-button-issue mentions and brush them into the background when they make things complicated, too.”

In the Guardian, Charles Bramesco notes that Ari Aster’s “participation as producer makes the comparison to Beau Is Afraid, a parallel trail of tribulation for a dumpy guy at the mercy of a universe that won’t stop picking on him, before a critic gets the chance to. Though that frees us up to instead point to Election, which shares the steady, clinical diagnosis of the way ego makes over sad-sack beta males into arrogant lechers.” IndieWire’s David Ehrlich finds that “for all of the high-concept semi-comedies that we get these days, precious few have had this much fun just following their own rules to logical conclusions.”

Subscribe to the RSS feed, and for news and items of interest throughout the day, every day, follow @CriterionDaily.
Read the whole story
rocketo
7 days ago
reply
seattle, wa
Share this story
Delete

A Political History of the Future: The Tech Billionaire at Lawyers, Guns & Money

1 Share
It's been a long hiatus for A Political History of the Future, my LGM series about how science fiction depicts shifts in political, social, and economic systems. But the post that I finally got around to publishing today has been in the works for more than a year, and part of the reason that I took so long to put it together is that there kept being new material to incorporate and discuss. My
Read the whole story
rocketo
7 days ago
reply
seattle, wa
Share this story
Delete

Seattle Police Officer Hurls Racist Slur at Chinese-American Neighbor

1 Comment
Audio captures a cop and his wife arguing with their neighbor, who is an elderly school bus driver. by Ashley Nerbovig

During a confrontation last year, a Seattle Police officer hurled racist slurs and sexist language at his elderly Chinese-American neighbor. He also appeared to threaten to put her in jail. The woman recorded the audio of the incident, and a Chinese social services organization recently filed a complaint with the Office of Police Accountability (OPA). In the past, the OPA has recommended firing officers for making derogatory comments or using racial slurs, even when not on duty.

The audio serves as a snapshot of what court records describe as an ongoing campaign by Seattle Police Officer Burton Hill, who is also a realtor, and his wife, Agnes Miggins, to drive the woman, Zhen Jin, out of the Kenmore condominiums where they all live. Jin, who works as a Seattle Public School bus driver, also lives with and takes care of her blind, elderly Palestinian-American uncle. Neither Jin nor her uncle speak English fluently. 

King County District Court granted both Jin and Miggins reciprocal protection orders against one another. Miggins sought her protection order first; however, at a February court hearing Jin's attorney argued that Miggins wanted to use the court system as part of a harassment campaign against Jin. As part of the evidence, the attorney played a clip of Hill calling Jin a “dumb fucking ch***.”

The Argument 

The court records and a 20-minute long audio recording obtained by The Stranger lay out the story of that alleged harassment campaign.

One night in August of 2022, Hill and Miggins bang on Jin’s door and initiate an argument with her and her uncle. The couple and Jin share a covered balcony entrance and stairway, and their front doors open a few feet away from one another. 

Broadly speaking, in the audio recording the couple accuse Jin of trying to kill their dog by leaving chicken bones outside in the condo’s courtyard, which Jin denies. They also constantly dismiss Jin as an actor in the conversation because she doesn’t own the property. (In fact, she and her uncle both own the property, according to King County property records, but an error made it appear as if the condo belonged only to her uncle. Property records also show Hill does not own any condo at the complex.) Anyway, in response to the accusations, Jin's uncle tries to explain his allergy to dogs while she defends herself against the couple’s attacks. 

At one point during the argument, Miggins says Jin is “nothing” because she doesn’t own the condo. Hill then tells Jin's uncle that she’s a problem, and she laughs nervously before saying, “it’s mine.”

In response to her laugh, Hill insults her with a racial slur used against East Asians: “You think that’s funny, you dumb fucking ch***?”

At another point, Hill says, “You don’t own this place you stupid fucking cunt.” 

Hill and Miggins also level unfounded accusations about Jin stealing money from her uncle. After making those claims, Hill tells Jin, “You’re going to jail.”

Later in the recording, Hill also mocks the uncle’s accent, and Miggins tells the uncle that she knows “...Your country doesn’t like dogs.”

In the recording, Hill says his name is “Burton,” and he mentions he works in real estate. When Jin's uncle says he knows Hill works as a police officer, Hill does not contradict him. A July 2023 SPD roster shows that Burton J. Hill works as an officer in the department’s Southwest Precinct. Voter registration data shows Hill’s address as the condo across from Jin. Neither Hill nor Miggins returned our calls for comment. SPD declined to comment on the audio recording until after the completion of the OPA investigation.

Update, 1:20 pm: In a statement, Seattle Police Chief Adrian Diaz said he listened to the audio and then decided to put officer Hill on paid administrative leave. He also told staff to review the cop's arrest and investigation history. Finally, he apologized and said, "We clearly have more work to do to build trust between the department and the people we serve." 

The OPA has opened six investigations into Hill since he first joined SPD in 2016, including the most recent one involving his comments about Jin. In his five previous OPA cases, four out of the ten allegations against him involved bias-policing complaints, though the OPA sustained none of those accusations.  

Jin and her uncle also declined to provide comment for the story.

An Alleged Harassment Campaign Against Chinese-Americans

King County District Court records show the animosity between Hill, Miggins, and Jin began over complaints about the couple allowing their dog to roam the condo complex unleashed. Because Jin's uncle can’t see, he worried the dog could become a hazard for him. Jin tried to resolve the issue through the condo's homeowner's association, but Miggins is the president of the association, said Mia Niu, a community liaison for the Chinese Information and Service Center (CISC).

However, after the court granted Miggins a protection order in February, Jin's attorneys said Miggins became bolder about harassing Jin. 

Jin denied the claims Miggins lays out here, and Miggins did not provide any of the emails to the court.

Jin filed for her own order of protection against Miggins in April 2023 after a series of incidents, including Miggins allegedly calling the Seattle Public School district to falsely tell them that her order of protection prevented Jin from being near children.

The court served a notice about the upcoming protection order hearing to the couple’s address at the end of April, and a man matching Hill’s description answered the door. The process server said the man would not give his name, but he did identify himself as the co-resident and he refused to take the documents. When the process server left the papers by the door, the man said, “This was not considered served.” Courts fairly regularly ask cops to serve court summons for orders of protection, making this an odd way for Hill to respond to the process server.

Strange behavior. 

At the May hearing for Jin's temporary order of protection against Miggins, King County District Court Judge Raul Martinez said that Miggins’s call to the district amounted to a direct attempt to interfere with Jin's employment, which gave the court enough evidence to grant her an order of protection against Miggins. Judge Martinez noted the “harassment also has strong overtones of racism.” In June, a King County District Court granted Jin a one-year order of protection against Miggins.

On that same day in June, a judge granted an order of protection against Miggins to a different Chinese-American woman who used to live in the condo complex as well. That woman told the court that Miggins’s actions caused her to move out of the condo complex. Judge Pro Tem Stephen Rochon said Miggins’s alleged harassment in that case was motivated by “racial animus.” That woman also did not provide comment and asked The Stranger not to include her name in this story. 

In one of her order-of-protection petitions, Jin noted that her security camera caught Miggins saying “one down, one to go” after the other Chinese-American woman moved out of the complex. 

In Jin's petition to the court, she described the alleged harassment as “traumatizing” and said the ordeal had undermined “my confidence that the judicial system can protect me.”

Read the whole story
rocketo
8 days ago
reply
picking through the barrel, “huh. are there ANY good ones in here?”
seattle, wa
Share this story
Delete
Next Page of Stories